Metallica: Fan Cans 4 and 5 (FLAC)

the last post here for probably a VERY long time...



Metallica"
TITLE "Fancan #4 ...And all this for you"
GENRE Metal
DATE 2000
COMMENT "4th Metclub CD"
Catalog # FC-004
This is 4th CD From the Metclub:
Fan can #4, ...And all this for you
The can design and name is a parody of the Justice album. The live stuff is some years old which is cool, especially the CD, recorded in 1989. The CD and video cover designs mach the year the recording was done, and the t-shirt is a "local crew" shirt from the same tour. the bonus is a fanclub dog-tag. Not as fancy as the raincoat included some years earlier. This should have been the 1999 fan can but was delayed.
You could only get this is this CD and fancan if you are a member of the metallica fan club.
Very rare and hard to get now.

Recorded Live At Reunion Area Dallas,TX 2/5/1989
1. Blackened
2. For whom the Bell tolls
3. Welcome home
4. Leper Messiah
5. Harvester of sorrow
6. To Live is to die doodle
7. Master of puppets
8. One
9. ... And justice for all
1. Fade to black
11. Battery

Info: After twelve years,the original master tapes from this show were eroded to the point that much of the music was missing and sounded like shit.After digging around Lars' basement,we found a cassette recording of that very show that not only captures the vibe from the tour,but still has an edge to it.

+++

TITLE "FanCan #5 Live Rehearsals at the Fillmore,San Francisco,CA May 18,19,21,22, 2003"
GENRE Metal
DATE 2005
COMMENT "5th Metclub CD"
Catalog#FC-005

The Loooooooooooong awaited Fan Can 5. Probably the most anticipated Metallica disc ever released, and just as hard to obtain. Only clubbers were eligible to buy and that's only if they are one of 5000 that won a lottery, which only gave them the opportunity to buy it!
The disc includes selections from the famous Fillmore shows chosen by club members.
This is the last FanCan to date.

1. Hit The Lights 5/21/03 (4:47)
2. Master Of Puppets 5/19/03 (8:35)
3. Harvester Of Sorrow 5/19/03 (6:14)
4. Sanitarium 5/18/03 (6:50)
5. St. Anger 5/21/03 (8:27)
6. Leper Messiah 5/22/03 (5:54)
7. Phantom Lord 5/21/03 (5:37)
8. Fade To Black 5/21/03 (7:33)
9. Blackened 5/21/03 (6:37)
10. One 5/22/03 (9:10)
11. Breadfan 5/19/03 (4:14)
12. Damage, Inc. 5/22/03 (5:14)

Info: Shows for clubbers only...Four Nights in our hometown at the historic fillmore...Rob's First Rehearsals. You guys were right there with us as we dusted off some old shit...then we asked you to pick what you wanted to hear. We chase what we hope are the, um, "best" versions.... check the dates on the back of the CD-maybe you were there!

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The Firm: Hammersmith 1984 (Audio Rip from OOP Hi- Fi VHS Promo Tape that was converted to Dolby Digital DVD)

Excellent quality. track divides are somewhat arbitrary.
There is one huge jam near the end.

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Neil Young w/ Crazy Horse: Nagoya 1976 (VG+ Aud) FLAC

1976-03-03
Aichken Taiikukan, Nagoya, Japan
w/ Crazy Horse

Source: Audience recording > "Wet Show" Bootleg (Tarantura Label "3rd edition"
) > CDR
Transfer: CDR > EAC > xACT1.5b3 > flac(8)

Disc 1 (31:37)
1. Intro
2. Tell Me Why
3. Mellow My Mind
4. After The Gold Rush
5. Too Far Gone
6. Only Love Can Break Your Heart
7. A Man Needs A Maid
8. No One Seems To Know
9. Heart Of Gold

Disc 2 (67:01)
1. Intro
2. Country Home
3. Band Intro
4. Don't Cry No Tears
5. Down By The River
6. Lotta Love
7. Like A Hurricane
8. The Losing End
9. Drive Back
10. Southern Man
encores
11. Cinnamon Girl
12. Announcements
13. Cortez The Killer

Neil Young’s extensive tour with Crazy Horse in 1976 comes after the release of On The Beach in 1974 and two albums, Tonight’s The Night and Zuma, the following year. These two together represented an interest by Young in resurrecting his collaboration with Crazy Horse. The former was actually recorded several years before and the latter, releases six months afterwards in December 10th 1975 represents, in the view of many, the pinnacle of Young’s recorded output with the band. The first live appearances with the new Crazy Horse with Frank (Poncho) Sampedro replacing the deceased Dan Whitten consist of four shows in ten days in little clubs and bars in northern California, dubbed the “Rolling Zuma Revue.” An extensive world tour was booked, called “The Year Of The Horse,” beginning on March 3rd, 1976 in Nagoya.
This was Young’s first visit to Japan and he played seven shows in Nagoya, Osaka, Fukuoka, and Tokyo. All of the shows have been taped and many pressed. The most recent releases include Another Osaka (Screamer), which contains half of the March 4th show, and GFK (Watch Tower) containing the Fukuoka tape. Wet Show, one of two recent Neil Young releases on the Tarantura label, contains a brand new complete audience recording. An older excellent audience recording exists and was released several years ago on You Are Just A Dream (F*!#in’ Up FUPCD-2001/2002), but is missing the second encore “Cortez The Killer.” Wet Show legitimately has the second encore and for the first time this show is complete.
The sound quality is simply stunning. It is a three dimensional stereo audience recording taped right in front of the stage. The balance between the instruments and audience is perfect, and is detailed enough to pick up Young’s off-mic comments. The first disc is devoted to the thirty minute acoustic set. It is fascinating to hear Young bounce around from acoustic guitar, banjo, and piano as he plays the hits. After the opener “Tell Me Why” Young clicks his harp in the holder and says “It’s nice to be here in Japan. I’m very happy to be here in this country to play music for you. I won’t talk much since you can’t understand me” as he tunes the banjo for “Mellow My Mind.” “After The Goldrush,” with Young at the piano, follows. He follows with “Too Far Gone.” This is the first time it was performed in public and would be played in all but two shows on the world tour and wouldn’t receive its official release until 1989 on Freedom. He seems self conscious afterwards about the words.
But he introduces the next song as ‘Work Can Break Your Body, But Only Love Can Break Your Heart.” He returns to the piano for “A Man Needs A Maid” which he introduces as, “This song is called…Yamaha!” pointing to the piano. The Yamaha reference will be a running joke through the second half of the show too. Before the final song of the first half Young says, “I’ll play a little tune here, and then I’m gonna go away for a while. And then I’m gonna come back and I’ll bring my friends Crazy Horse with me.” After banging the harmonica to empty it of spit he says, “It’s a wet show ladies and gentlemen. I’m very happy to see McDonald’s hamburgers here I think that’s wonderful. This is called ‘Burger Of Gold.’”
It is typical for Young to be chatty during the acoustic set. Some of his comments betray a vulnerability that is its charm. In the electric set he and Crazy Horse approach with a gravity that is focused solely upon the music. “Country Home,” unreleased at this point and would not be issued officially until 1990’s Ragged Glory, opens the second set. This song would open the electric set for every Neil Young and Crazy Horse show in 1976 except one (November 14 in Madison, Wisconsin where “Cowgirl In The Sand” was played and can be heard on Madison Hurricane on Seymour). Only three songs, “Don’t Cry No Tears,” “Drive Back,” and “Cortez The Killer” are played from the new album. “Down By The River” is featured and this version lasts nine minutes, far from the fifteen-minute extravaganza from the early Crazy Horse tours. “Like A Hurricane,” which wouldn’t be released until the following year’s American Stars N Bars, is introduced as a “new song.”
Afterwards Young gives a long intro for the next song, “‘The Losing End.’ Let me tell you a story about something that happened to me on my way into town today. I was walking down the street and some guy came up to me…oh I forgot. I’ll sing about it. It’s very good to be here, we’re having a good time.” The set closer is “Southern Man” followed by “Cinnamon Girl” and, after a minute of clapping and two small cuts in the tape, an excellent version of “Cortez The Killer.” Nagoya is a good show for a tour opener and Tarantura use one of the best sounding audience recordings available for Neil Young. Wet Show is limited to one hundred unnumbered copies and is packaged in a cardboard gatefold sleeve. This title proved so popular that is sold out and Tarantura issued a second edition. The cover art is different to differentiate the two, with the second edition having the white boarder and the ”Original Mister Peach Recording” on the top. This edition is also limited to one hundred unnumbered copies.

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Bob Dylan and The Band: Oakland 1974 (Ex Soundboard) FLAC

Feb. 11, 1974
Oakland Flood
Oakland, CA.

Silvers>Eac>Flac
Manufacturer / Catalog No.
Main stream / MSBR 0016/17

Disc one - Early Show:
Most Likely You Go Your Way
Lay Lady Lay
Just Like Tom Thumb's Blues
Rainy Day Women #12 & 35
It Ain't Me Babe
Ballad Of A Thin Man
Stage Fright *
Night They Drove Old Dixie Down *
King Harvest *
When You Awake *
Up On Cripple Creek *
All Along The Watchtower
Ballad Of Hollis Brown
Knockin' On Heaven's Door

Disc Two
The Times
Just Like A Woman
Gates Of Eden
Don't Think Twice

Evening Show:
It's Alright Ma (I'm Only Bleeding)
Rag Mama Rag *
This Wheel's On Fire *
The Shape I'm In *
The Weight *
Forever Young
Highway 61 Revisited
Like A Rolling Stone
Maggie's Farm
Blowin' In The Wind

* = Performed by The Band

Review: This Japanese CD combines two excellent quality, superbly mixed soundboard recordings from the Feb.11, 1974 early and late shows, and includes tracks performed by The Band as well. The performance, while fairly standard for 1974 in terms of the setlist, is excellent in execution. A surprisingly enjoyable set and, as with Paint The Daytime Black, a far better representation of 1974 than the official Before The Flood album.

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Roger Waters: San Diego 1987 (VG++ Aud) FLAC

1987-09-23
The Sports Arena, San Diego, California, USA
Lineage: Unknown > CD-R > EAC > Wav > Flac Fronted > FLac

Disc 1:
1. Introduction (5:51)
2. Tempted (5:02)
3. Radio Waves (5:37)
4. Welcome To The Machine (7:38)
5. Who Needs Information (7:46)
6. Money (5:57)
7. In The Flesh? (3:26)
8. Have A Cigar (3:17)
9. Pigs (Three Different Ones) (3:42)
10. Wish You Were Here (5:16)
11. Mother (7:30)
12. Molly's Song (3:21)
13. Me Or Him (5:09)
14. Powers That Be (3:58)

Disc 2:
1. Introduction / Calls From The Hall (8:57)
2. Going To Live In L.A. (6:22)
3. Sunset Strip (4:10)
4. Fish Report With A Beat (2:20)
5. Get Your Filthy Hands Off My Desert
Southampton Dock (2:43)
6. Jim Ladd (0:54)
7. Arnold Layne (2:06)
8. If (4:28)
9. Every Stranger’s Eyes (4:55)
10. Not Now John (4:57)
11. Another Brick In The Wall – part 1 (4:27)
12. The Happiest Days Of Our Lives (1:49)
13. Another Brick In The Wall – part 2 (4:37)
14. Nobody Home (4:34)
15. Home (6:16)
16. Four Minutes (5:11)

Disc 3:
1. The Tide Is Turning (10:10)
2. Brain Damage (3:49)
3. Eclipse (3:54)

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Mar Y Sol Festival 1972 (Various Artists) FLAC

According to TLH: source of the tracks cannot be qualified (Cannot say they are lossless; Cannot say that they are lossy) - in either case they are very much worth the listen! -dave

01 Brownsville Station Mister Robert
02 Pot Liquor The Train
03 Faces It's All Over Now
04 Faces Miss Judy's Farm
05 Nitzinger Louisiana Cock Fight
06 The Allman Brothers Band Done Somebody Wrong
07 J. Geils Band Homework
08 J. Geils Band Crusin' For A Love
09 David Peel The Pope Smokes Dope
10 David Peel Up Against The Wall
11 BB King How Blue Can You Get
12 BB King Guess Who
13 Herbie Mann Memphis Underground
14 Dave Brubeck w/ Gerry Mulligan Take Five
15 Fran Ferrer y Puerto Rico 2010 Ya Se Van

OU: Two Mar Y Sol attendees, Pedro Collazo & Oscar Mandry (from Ponce, Puerto Rico) made an effort while enjoying the festival which resulted in a real treasure. They set out to record a lot of material from the festival with a tape recorder. Although an 'audience recording', this is probably the best bootleg I've ever heard in my life. Some parts/songs sound like if they were recorded professionally.
This bootleg was edited and compiled by (the OU) as well as the album cover for which I used a picture taken, also, by Collazo.

No errors occured.
aligned on sector boundaries - dave@qb

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Eric Clapton: Hoffman Estates 1985 (Ex Soundboard) FLAC

"Chicago No Bad Blues"
Poplar Creek Music Theater
Hoffman Estates, Illinois, USA
July 5, 1985
Tarantura - TECD-001/002 - SB 6

Disc 1:
1) Tulsa Time
2) Motherless Children
3) I Shot the Sheriff
4) Same Old Blues
5) Tangled In Love
6) White Room
7) Steppin' Out (Shaun Murphy vocals)
8) Wonderful Tonight
9) She's Waiting
10) She Loves You (Marcy Levy vocals)

Disc 2:
1) Badge
2) Let it Rain
3) Double Trouble
4) Cocaine
5) Layla
6) Forever Man
7) Further On Up the Road

Band Lineup:
Eric Clapton Guitar, Vocals
Donald 'Duck' Dunn Bass
Tim Renwick Guitar
Chris Stainton Keyboards
Jamie Oldaker Drums
Marcy Levy Backing Vocals
Shaun Murphy Backing Vocals

Geetarz Comments:
The 1985 tour was pivotal, as it marked EC's reemergence as a "Guitar God". This was one of the shows preceding Clapton's career-changing performance at "Live Aid", with one of his best band lineups as well.
Can it get any better? Oh, yeah ... it's a perfect, close miked soundboard!
This is the premier release on the Tarantura label, catalog number TECD-001, 002, "Stereo Soundboard", "Original Master Recording".
There's always been some confusion about the way the label name is spelled, and the back cover of this release is no exception, reading (P) (C) TARANTULRA (with the 'L' Crossed out!), "E.C. Archives Chicago Branch".
By request, this is a new rip from my silvers, August 2009.
This is only the second time these discs have been handled - I made myself CD-R copies for daily listening back in the Dark Ages when I bought this set - back in the days when CD-Rs burned at any speed you wanted, so long as it was 1x!
Even if you already have a copy of this title, this may be a nice upgrade for you, direct from the silvers with known lineage.
Also, the original scans I did "back in the day" weren't very good (because my scanner, wasn't very good) so for this torrent I have included new scans at 300 DPI, including scans of the discs.

LINEAGE: Silvers > LiteOn iHAP322 (UL18 Firmware) > EAC v. 0.99 Prebeta 4 (Secure Mode, Calibrated Offset +6, 0) > FLAC (Level 6) > You !!!
Of course, EAC logs and checksums (FFP, MD5, and ST5) included.

There's been a lot of discussion lately about what is "essential" Clapton, and I'm really glad this has come up. It's so easy for those of us who are familiar with an artist to lose track of what's essential, and accessible to everyone, not just diehard fans.
This is definitely one of the "essential" recordings, not my favorite of the '85 tour but definitely one of my Top 3 (don't you love it when people say that, when it's merely a polite way of saying it's my Third Favorite).
All joking aside, this is a great one ... and remember, kids ... PLAY IT LOUD!
~Geetarz, August 2009

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Bruce Springsteen w/ Joe Grushecky and The Houserockers: Asbury Park 2011 (VG+ Aud) FLAC

Light Of Day Benefit, Paramount Theater
Asbury Park, NJ
January 15, 2011

Church Audio Cardioids CA-14 > CA-UGLY Pre-Amp > Edirol HR-09 > Cool Edit Pro for slight EQ and level boost > CD Wave Editor > Trader's Little Helper for FLAC conversion

disc one:
intro
Your Own Worst Enemy
This Hard Land
Another Thin Line
Atlantic City
Never Be Enough Time
Adam Raised A Cain
Wrong Way Street
I'm Not Sleeping
Save My Love

disc two:
Talkin' To The King
Pink Cadillac
Darkness On The Edge Of Town
The Promised Land
Light Of Day
Twist And Shout
Thunder Road

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Pink Floyd: Tokyo 1972 (VG+ Aud) FLAC

Date: 1972-03-07
Location: Tokyo-to Taiikukan, Tokyo, Japan
CD Bootleg: Live in Tokyo 1972
Label: Zeus Records (Z907001)
Quality: VG+
CD Bootleg "Live in Tokyo 1972" > EAC > FLAC level 5

Comments: The bootleg "Water's Gate" is from this same source, but this is of MUCH better quality. There is another boot called 'Live In Tokyo 1972' that is from Tokyo also, but is from March 6th, and has an encore of ASoS...this is most certainly from the 7th, evidenced by the encore of StCftHotS. Hence, the information in "In The Flesh" regarding the encores is wrong.
Recorded Live at The Tokyo-to Taiikukan, Tokyo, Japan 1972-03-07
Excellent show, and equally excellent sound quality.

Disc: 1
1. Speak To Me 0:56
2. Breathe 2:45
3. Travel Sequence 5:58
4. Time / Home Again 7:28
5. Eccestiacles 4:24
6. Money 7:08
7. Us And Them 7:06
8. Scat 3:51
9. Lunatic Song 3:52
10. Eclipsed / Intermission 5:06

Disc: 2
1. One Of These Days / Tuneups 16:16
2. Careful With That Axe Eugene / Tuneups 12:16
4. Echoes / Tuneups 25:16
5. Set The Controls... (Cuts) 5:31

Band:
David Gilmour
Rick Wright
Nick Mason
Roger Waters

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Amy Grant: Dallas 2008 (Soundboard Web Rip) FLAC

by request! (this is lossy but a very good capture)

Dallas, TX November 2008 – [Web Rip from FOA web site + Remastered FLAC] from the 20th Anniversary Lead Me On tour.

Available to FOA members (Amy’s Fan Club) for free… Signal Path = Web Rip. Ripped feed to WAV, re-mastered (loudness and compression added) and cut into tracks, then converted to FLAC to preserve original compressed format (as not to add more compression artifacts) and added titles and custom artwork. This should sound as good or better then original stream from her Fan Club web site. Plus it has tracks cut. There is not much available about the technical production of this setup, but my guess is that it was tracked and mixed in post production or a really good board mix. It’s a great sounding show, one of the best.

01 Father's Eyes
02 Love of Another Kind
03 Wait for the Healing
04 Shadows
05 1974
06 Everywhere You Go
07 Saved By Love
08 What About The Love
09 Alright
10 El Shaddai
11 Sing Your Praise To The Lord
12 All I Ever Have To Be
13 [Amy introduces the band]
14 Always (Chris Easton)
15 Lead Me On
16 Find A Way
17 Wise Up
18 Angels Watching Over Me
19 Fight
20 Stay For A While

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Todd Rundgren: BBC Rock Hour 1982 (Pre-FM) FLAC

May 25, 1982 (Tuesday)
The Venue Club
London, UK

This is a short broadcast solo set from one of the few UK tours. The US broadcast of the BBC Rock Hour was September 5, 1982, so you may see that date listed for this performance.

Lineage: BBC Rock Hour transcript vinyl LP > DAT > CDR (mastering by Sandra Winters including the use of a click and pop filter) > CDR
More Lineage: CDR(n) > xACT (extraction) > Sound Studio (retrack) > xACT (fix SBE, flac level 5, add tags)

The Soul Medley here is the arrangement from B2tB of I'm So Proud ~ Ooh Baby Baby ~ La La (Means I Love You) ~ I Saw The Light.

01 BBC intro 00:55
02 Love of the Common Man 03:39
03 ClichŽ 04:32
04 It Wouldn't Have Made Any Difference 05:10
05 Too Far Gone 02:45
06 Can We Still Be Friends? 05:42
07 Tiny Demons 03:20
08 Bag Lady 03:29
09 Soul Medley 11:56
10 One World 03:48
11 The Wheel 06:05
12 BBC outro 00:16
______________________________________________
BBC Rock Hour 1982 total time 51:41

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The Smiths: Unreleased Studio Outtakes 1983-1987 (FLAC)

Mixed Locations
Demos and Instrumentals
Unreleased Studio Outtakes (stereo version) 1983-1987

Ripped from a first play of the original bootleg LP:
Rega P25 / RB300 / Super Elys -> Pro-Ject Phono Box SE Pre Amp -> Apogee Duet -> Mac

01 Reel Around The Fountain (final Troy Tate mix)
02 The Hand That Rocks The Cradle (John Porter monitor mix)
03 This Night Has Opened My Eyes (unreleased studio recording, June 1984)
04 Rusholme Ruffians (early electric version, July 1984)
05 I Misses You (unreleased instrumental, edit, December 1984)
06 There Is A Light That Never Goes Out (early take, September 1985)
07 The Queen Is Dead (original full-length unedited version)
08 Frankly, Mr Shankly (unreleased Stephen Street "trumpets" recording, November 1985)
09 Ask (probable first-ever take, 9 June 1986)
10 Is It Really So Strange? (unreleased studio take, June 1986)
11 Shoplifters Of The World Unite (instrumental)
12 Sheila Take A Bow (original John Porter recording, January 1986)
13 Girlfriend In A Coma (early take, January 1987)
14 Death Of A Disco Dancer (first take, April 1987)
15 Paint A Vulgar Picture (early take, April 1987)
16 Heavy Track (unreleased instrumental, April 1987)

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Garth Brooks: Kansas City 2007 (VG+ Aud) FLAC

Sprint Center
Kansas City, Missouri
WEDNESDAY, November 14, 2007
SECTION 115, Row 1, DIRECTLY TO FRONT RIGHT SIDE OF STAGE 3-4 FEET FROM STAGE LIP

Source: Church Audio cardoids> Edirol R-09@16 BIT 44.1 KHZ
Transfer: SD Card > Harddrive > GOLDWAVE >Traders Little helper > FLAC
no other edits have been made, tracks are as they were recorded.
Recorded and Transferred By: Elwood (rphillipsjr@gmail.com)

OU: This is the second Garth show of the 9 that I have taped and uploaded and I think everyone will love this one.
Lots of really cool covers in here. I have 2 more shows I taped form the series but those didn't come out so well so they are staying locked up.
This is all stealth, sounds Really good in my opinion, This was the show that was simulcast in all of the theaters
around the world and rebroadcast on GAC a few times. BUT.....The theaters and GAC didn't show the entire encore, there are like 9 or 10 more songs after they cut the live feed.
You get to hear all the gac promo stuff and us doing the commercials for GAC, pretty cool in my opinion.
I was directly under the stacks and 3 feet from the stage right monitor.
This is much much better than my other show and I'm damn proud I got this pull. I almost got arrested on this one friends so enjoy it.
They were taking people off to the side just for recording with cell phones, and I came real close to getting pinched on this one.
In between breaks when they were going from the live broadcast to the regular show security came up to me and asked what the wires hanging out of my back were. I had no idead they fell down so I calmly explained that I had a heart problem and the were hooked up to my heart monitor.
He seemed suspicious but in missouri they can't ask about any debilitations or inquire as to the nature of any handicaps, it's just illegal here.
Check it out, I doubt anyone else taped any of the shows, I hope someone did, but i'm not holding my breath, and from what he says this is it for another 10 years.

(Old Stuff) -> Fever
Two of a Kind
Rodeo
Good Ride Cowboy
The Thunder Rolls
Shameless
We Shall Be Free
Unanswered Prayers*
The River
Papa Loved Mama
Beaches
Callin' Baton Rouge
More Than A Memory
Friends In Low Places
The Dance
===================
Ain't Goin' Down > end of live broadcast
===================
Kansas City only Encores

That Summer
Much Too Young
Two Pina Coladas*
Fire and Rain (James Taylor)*
Turn the Page (Bob Seger)*
Unwound (George Strait)*
The Fireman (George Strait)*
Amarillo By Morning (George Strait)*
Piano Man (Billy Joel)*
American Pie (Don Mclean)**

*Garth solo
** Garth Brooks & 17,000+ Fans

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Buffalo Springfield: San Francisco 1967 (Soundboard) FLAC

Fillmore Auditorium, SF CA
December (21-)23, 1967
Source: unknown low gen soundboard feed (?) > CDR > flac

1 On The Way Home 2:14
2 Good Time Boy 3:18
3 Nowadays Clancy Can't Even Sing 4:15
4 Mr Soul 4:05
5 A Child's Claim To Fame 2:53
6 For What It's Worth 3:37
7 Bluebird 9:08
Total time: 29:33

Stephen Stills - lead guitar, vocals
Neil Young - lead guitar, vocals
Richie Furay - rhythm guitar, vocals
Bruce Palmer - bass
Dewey Martin - drums, vocals

Speed corrected (+ 6.5%) and track transitions smoothed out with Adobe Audition 3.0.1
Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified.

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Bruce Springsteen: Lincoln Center 1974 (VG- Aud) FLAC

"Incident At Avery Fisher Hall"
Kivak Master Series – 1974 Vol 1
Avery Fisher Hall
Lincoln Center, NY
October 4, 1974
Cassette>CD>Magix/Roxio>flac

The “incident” that happened at Avery Fisher Hall was at the end of Quarter To Three when the stage collapsed. A fan recalls the incident and no one was hurt. This is 1974Vol 1 of the Kivak Master Series. Future volumes of 1974 are forthcoming. According to BruceBase the circulating copy of this show is in mediocre quality.
Now we have a major upgrade! This one runs at the correct speed and the sound is balanced. I don’t have “Cupid In The City” to compare it, but going by the comments on BruceBase, this should be an improvement to the existing copy. The sound is very good, maybe even better depending on how you rate your shows.
You can even hear Bruce’s dialogue clearer on the setup for “She’s the One.”
Listen to the bells at beginning of Jungleland! Stunning and beautiful!
I love this show and I hope you will too!

One
Incident On 57th St
Spirit In The Night
Does This Bus Stop At 82nd St?
E St Shuffle
Cupid
Saint In The City
Lost In The Flood
She's The One
Jungleland

Two
A Love So Fine
Kitty's Back
New York City
Serenade
Rosalita
4th July Asbury Park (Sandy)
Quarter To Three

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Genesis: London 1977 (Ex Soundboard) FLAC

Date: January 03 1977
Venue: Rainbow Theatre London
Title: Live In Rainbow Theatre
Label: HIGHLAND PROJECT
Source: Ex Soundboard Recording

Disc 01
01 Eleventh Earl Of Mar
02 The Carpet Crawlers
03 Robbery, Assault & Battery
04 Your Own Special Way
05 Squonk
06 One For The Vine
07 Firth Of Fifth
08 All In A Mouse's Night
Total 61:51

Disc 02
01 Story Of Remeo & Juliet
02 Supper's Ready
03 I Know What I Like
04 Dance On A Volcano
05 Los Endos
06 The Lamb Lies Down On Broadway
07 The Musical Box (Closing Section)
Total 51:21

Lineage: CD-R > EAC(Secure Offset Corrected) > WAV > FLAC Level 8
Include Artwork, Checksum files / sT5 / ffp, info file, and EAC logs -Enjoy!

Phil Collins (Vocals Percussion)
Steve Hackett (Lead Guitar)
Mike Rutherford (Bass Guitar)
Tony Banks (Keyboards)
Chester Thompson (Percussion)

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The Clash: London 1978 (Rem Soundboard) FLAC

TITLE: Flash Bastards Remastered
DATE: December 28th, 1978
VENUE: The Lyceum
LOCATION: London, UK
SOURCE: SBD
QUALITY: A/A+
ARTWORK: Included (taken from original torrent, slightly altered)

TRACKLISTING:
01. Safe European Home
02. I Fought the Law
03. Jail Guitar Door
04. Drug Stabbing Time
05. City Of the Dead
06. Clash City Rockers
07. Tommy Gun
08. White Man In Hammersmith Palais
09. English Civil War
10. Stay Free
11. Cheapskates
12. Julie's In the Drug Squad
13. Police and Thieves
14. Capital Radio
15. Janie Jones
16. Garageland
17. Complete Control
18. London's Burning
19. White Riot
TOTAL RUNTIME: 1hr 6mins 1sec

LINEAGE: Pro SBD > ? analog > CD-R > xAct (flac)>WAV>Cool Edit Pro v1.2>FLAC 6

TRANSFER/EDITING NOTES:
I'd like to begin by thanking j-blokhed for this recording. Here is an amazing Clash show from late '78. This was a great period for the band who are in fine form and are complemented here by an excellent soundboard source. I decided to remaster this recording since I liked the performance so much and wanted to hear it in as high quality as possible. For the remastering, I applied virtually the same edits to all tracks. A couple of tracks were slightly different in frequency response and were adjusted accordingly. There were also a couple of drop-outs which I corrected as good as possible. No noise reduction of any kind has been used here. A low amount of hiss is present after equalizing but not enough to be a distraction or even heard at most levels. The equalization used is light in general as the recording only needed a cut in a few resonating frequencies and a slight boost in some higher frequencies. I hope you like what I've done and consider this an improvement over the original source. Enjoy!

**** ORIGINAL TORRENT INFO ****
THE CLASH - 28 December, 1978
The Lyceum, London
Here's another SBD - and one of my favorites. The Clash played three shows around New Year's 1979 that were recorded for possible use in the film Rude Boy. The dates were Dec 28-89, 1978, and Jan 3, 1979.
The first of these shows to fall into collector's hands was a very good audience recording released first on LP, and then on CD, as "Sort It Out". This is NOT that show. The exact dates of these recordings has been in question, but I believe that "Sort It Out" (also released as "USA 1979" [sic] as well as other, later, titles) is in fact Jan 3, 1979. I think that this recording is Dec 28, 1978.
This tape fell into my hands indirectly from an inside source (KV), and was probably 2nd-3rd gen when recorded to CD-R. It has since spread throughout collector's circles, and the artwork included here is strictly homemade "fan club".
This is one of the very best - enjoy!
Pro SBD > ? analog > CD-R > xAct (flac)

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Led Zeppelin: Madison Square Garden 1977 (Soundboard) FLAC

a newly released soundboard! (glitch-free)

Artist: Led Zeppelin
Date: 1977-06-07
Venue: MSG
Location: New York, New York
Source: SBD
Lineage: Silver CD > EAC > WAV > Trader's Little Helper > FLAC(level 8)

Bootleg Title: Magical Sound Boogie (3CD)
Label: Empress Valley
All the EV boards came out from one tech who worked for Showco in the 1970s. All that bullshit saying that Page didn’t allow the copying of tapes is nonsense because after the concert all these tapes were stored in one place and were managed by the Showco sound engineers. The LA June 23rd 1977 sbd fragment was received from Showco’s employee and thus it’s proving some ties with the company.
The next board will cover either West Coast 75 or NY/LA run of 77 tour. Between 1969 and 1973 all the baord tapes were recorded by a different crew and this is the reason why they are not surfacing elsewhere except Jimmy’s own studio. Showco started working for Led Zeppelin in 1973 regulary if my mind is wroking properly :) but it wasn’t until 1975 when Photombeam (a guy from RO who posted some info about his employing as LZ laser operator) had been hired that the soundboards were managed by Showco’s crew. The closest road crew entourage that toured with the band between 1968 and 1973 consisted of five or six persons that were in really close tie with all four members of Led Zeppelin, some of them, as Mick Hinton (Bonham’s drum tech) was very close friend of some of the band members and this is the only reason why these boards will be never released. Those leaked in early 1990s are stolen from Page’s possession and this is all that exists. The same with 1980 run - no Showco, no boards.
So, I do not want to say we can expect another board from LA stint very soon but it’s more likely we will be faced with something from 1975 or 1979 (or even 1971-73 if some of tapes stolen are still in the hands of hoarders).
Happy listening, folks!

Disc 1
01.The Song Remains The Same
02.The Rover Introduction / Sick Again
03.Nobody's Fault But Mine
04.In My Time Of Dying
05.Since I've Been Loving You
06.No Quarter

Disc 2
01.Ten Years Gone
02.The Battle Of Evermore
03.Going To California
04.Black Country Woman
05.Bron-Yr-Aur Stomp
06.White Summer / Black Mountain Side
07.Kashmir

Disc 3
01.Out On The Tiles / Moby Dick
02.Guitar Solo (Include Star Spangled Banner)
03.Achilles Last Stand
04.Stairway To Heaven
05.Whole Lotta Love
06.Rock And Roll

Art & Checksum Included

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